Nancy Rink Blog

Quilt maker, pattern designer, fabric dyer, and lover of all things quilting
2 minutes reading time (453 words)

Getting there . .

This is one of the projects for the upcoming book, Away From Home: The Story of the Lowell Mill Girls, that just kept getting put on the back burner. And because I kept putting it aside, I seemed to loose my momentum. But last week I went to sew with my group and brought along the last of the sashing strips that needed appliqueing. That got me going again. This morning I sewed and sewed and finally finished up the quilt top.

So, I thought I would share my process on this quilt.

Here's the initial quilt design I began with in Electric Quilt7. You will see in the photos that I changed the frames around the applique blocks so they are all the same fabric. I tried the green and red stripe fabric, but didn't like the look of it. I wound up making all the frames from the same floral fabric I used for the border.

The fabric is from the Cocheco I collection by Judie Rothermel for Marcus Fabrics.71 square quilt

Applique preparation . . .

cocheco applique

Here's a block . .

cocheco block

Some blocks sew together and placed on the design wall . . . and yes, my photo is rather fuzzy. At this point I'm concerned that I have too much contrast in my block background fabric and my sashing fabric. It's not quite the more subtle look I'd imagined in my EQ7 rendering. You have no idea how many sashing fabrics I auditioned before making my decision. I have been known to take things apart and completely re-work them . . . but I want to get this done. I have other projects awaiting. My decision was to press forward.

quilt pic5

All blocks sewn together on the design wall ready and waiting for borders.

quilt pic4

Close up of quilt, borders attached. (Yes, those are my feet--didn't mean to get them in the photo. But at least my nail polish matches!)

quilt pic

And here's the entire quilt laid out on my floor. The quilt has more contrast in the light areas than I had originally planned, but I think the light areas will really show off whatever quilting is placed there. Now I'm debating whether to keep the outside square or put a light scallop on it to echo the block frames. I also thought about really playing up the reproduction look of the quilt and putting a ruffle or lace along the outside edge. Maybe that's worthy of some research . . .

quilt pic6

In the meantime, let me share another color story from my EQ7 files. It's done in various Fig Tree fabrics that I have in my stash. So tempting . . . but do I want to make the same quilt again?

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